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In the 1980s, No Toca Botón! Alberto Olmedo (August 24, 1933 – March 5, 1988) was an Argentine comedian and actor, popularly regarded as one of the most important comedians in the history of his country, for his outstanding work in television, cinema and theater. Learn how and when to remove this template message, http://www.universalmedios.com.ar/efemerides/alberto-olmedo-el-negro-capitan-piluso-2/, https://en.wikipedia.org/w/index.php?title=Alberto_Olmedo&oldid=974819092, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 August 2020, at 05:54. In fits of improvisation, Olmedo would stray from script, tear down props, dash past the cameras, and verbally abuse his fellow actors. Olmedo was born in the city of Rosario. Alberto Olmedo (August 24, 1933 – March 5, 1988) was an Argentine comedian and actor, popularly regarded as one of the most important comedians in the history of his country, for his outstanding work in television, cinema and theater.[1]. UN PEQUEÑO HOMENAJE PARA AQUEL QUE NOS HIZO REÍR DESDE PEQUEÑOS. He is buried in La Chacarita Cemetery, Buenos Aires. The "Olmedo and Porcel" movies are considered to be the pinnacle of Argentina's sexploitation movie genre. (Don't Touch That Button!). Olmedo was born in the city of Rosario. Many of Olmedo's movies in the 1980s were adult-oriented comedies featuring Jorge Porcel and vedettes Moria Casán and Susana Giménez. In his teens, he was a gifted gymnast, and an aspiring actor who tried his luck with several amateur theater companies, and enjoyed some local success. Starting with Gringalet in 1959, Olmedo starred in 49 movies, including: Los Doctores las Prefieren Desnudas (Doctors Prefer Them Naked), in 1973, Maridos en Vacaciones, (Husbands on Vacation, 1975), Fotógrafo de Señoras (Ladies' Photographer, 1978), Las Mujeres Son Cosas de Guapos (Women Are For The Brave, 1981), Los Fierecillos Indomables (The Indomitable Little Beasts, 1982), Sálvese Quien Pueda (Every Man for Himself, 1984), and Rambito y Rambón, Primera Misión (Little Rambo and Big Rambo, First Mission, 1986). It is believed that he tried, possibly under the influence of alcohol or cocaine,[2] to perform a high-wire stunt on the balcony and lost his balance. One year later, while working as a technician in Canal 7, Argentina's first television station, his improvisation skills caught the attention of the management, who gave him acting jobs in several TV shows. 75 talking about this. Once the truth was revealed, the actor was punished for his prank and banished from the airwaves for two years. While Olmedo had a string of successful children's programs during the 1960s, he gained the most notoriety when given the opportunity to mix slapstick, nonsense, and adult-oriented entertainment. Olmedo's Capitán Piluso show was a hit with children in the 1960s, but he preferred working for adult audiences. Olmedo married and divorced twice, and had six children (including Alberto Jr.). Alberto Olmedo y Javier Portales en un sketch clasico del Humor Argentino. Olmedo, who was nicknamed el Negro, would evoke his Rosario background by using Rosario slang and narrating implausible stories about his childhood exploits. Olmedo moved to Buenos Aires in 1954. The only witness to his last moments was girlfriend Nancy Herrera, who was pregnant with his posthumous son Alberto.[3]. Most of these movies were directed by Gerardo Sofovich or his brother Hugo, who also directed Olmedo's TV shows El Chupete (The Pacifier) and No Toca Botón! Olmedo died in the resort city of Mar del Plata, Buenos Aires Province, on March 5, 1988. Those years saw the blooming of a partnership with character actor Javier Portales, who provided a counterweight to Olmedo's wild improvising. He created popular characters such as General González, Rucucu the Ukrainian magician, the dictator of Costa Pobre (a parody of a banana republic ruler; its name is a pun on Costa Rica, since the country's name means "rich coast" and Costa Pobre means "poor coast"), and above all el Manosanta ("the miracle healer"), a multi-level parody on charlatans of all stripes and Argentines' reckless pursuit of sex and money. In 1976, shortly after the beginning of the military dictatorship known as the National Reorganization Process, Olmedo had his own death announced on the show. His last movie was Atracción Peculiar, released shortly after his death. According to police reports, he slipped off his eleventh-floor apartment's balcony. Los Fierecillos Indomables had a sequel in 1983. Conservative Argentine authorities rated these movies as PM-18 (age 18 and above), save for a few tamer films aimed at family audiences. Visualize os perfis de pessoas chamadas Javier Olmedo C. Participe do Facebook para se conectar com Javier Olmedo C e outros que você talvez conheça. After acting in the successful Operación Ja Ja weekly show, Olmedo landed his first leading role in El Chupete. was the highest-rated show in Argentina.

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